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Bach Classic Trumpet Silver Plated Mouthpiece 6B

$ 60

Condition:New
MPN:MBT 6B
Brand:Bach
Finish:Silver Plated
For Instrument:Trumpet
UPC:641064005039

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Bach Classic Trumpet Silver Plated Mouthpiece 6B
Description
Selecting a MouthpieceWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a player’s embouchure, attack, tonguing and endurance.Professional musicians and advanced students prefer the musical results of large mouthpieces, such as the Bach 1B, 1C, 11 ⁄ 4C, 11 ⁄ 2B, 11 ⁄ 2C, 21 ⁄ 2C, 3C, which provide a maximum volume of tone with the least amount of effort. By opening up the lips so that they do not touch, the larger mouthpiece produces a clearer, purer tone. The large cup diameter also allows a greater portion of the lip to vibrate, producing a larger volume of tone, and keeps a player from forcing high tones by encouraging the correct functioning of the lip muscles. However, a student may find a medium-sized mouthpiece suitable.Do not select a certain mouthpiece because another player uses it. Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.RimWide: Increases endurance Narrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCupLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerThroatLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low register)Small: Increases resistance, endurance, brilliance; flattens high registerBackboreExcept in general terms, it isn’t possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.The playing qualities mentioned on this page are discussed in greater detail in the following sections. Keep in mind that playing qualities of mouthpieces vary from person to person; therefore, descriptions of playing qualities are necessarily subjective. It is important to view all information in this manual as a general guide. For best results, use it as a starting point for testing a number of models, not as a substitution for testing.Model NumbersBach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each individual model throughout the catalog.Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter. Cup depths are notated with letters. “A” cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.“A” Models have very deep cups, #24 backbores, and emit a large, dark sound.
Information about for sale on this page. See price and photos of the
Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.“B” Models have medium deep cups, #7 backbores, and have a full, Teutonic tone with great volume.“C” Models have medium cups, #10 backbores, and are preferred by many players that alternate between B b, C and D trumpet.“D” Models have medium-shallow cups, #76 backbores, and produce a sparkling, brilliant tone, especially in the high register. Artists who continually play in the extreme high register use them to advantage.“E” Models have shallow cups, #117 backbores, and are designed for use on soprano and piccolo trumpets. Also preferred by extreme high register players.“F” Models have extra-shallow cups, #76 backbores, and are also preferred by extreme high register players.“V” Models have V style cups. “V” designates a very deep cup, #20 throat, and #25 backbore; “MV” designates a medium deep cup, #25 throat, and #25 backbore; “SV” designates a shallow cup, #25 throat, and #25 backbore.“W” Models have a wide, cushion rim for soft, thick lips.
TRUMPET, CORNET & FLUGELHORN MOUTHPIECES
Model No.
Depth of Cup
Appx. Cup Dia.
Rim Shape
Description
1*
Deep
17.50mm
Medium thin.
Extra-large cup for players with a robust embouchure. Produces a great volume of tone.
1X
Deep
17.00mm
Medium wide.
The pre-1970 (old style) No. 1, with slightly smaller cu and wider rim than the present model.
1B
Medium Deep
17.00mm
Medium wide.
Large cup for players with a robust embouchure. Produces a warm tone with great volume.
1C*
Medium
17.00mm
Medium wide.
Large diameter, medium cup - good for all-around use
1CW
Medium
17.00mm
Slightly wider, gradually lowered to outside
Same as No. 1C with wider cushion rim.
1CW
Medium
17.00mm
Slightly wider, gradually lowered to outside
Same as No. 1C with wider cushion rim.
1E
Shallow
17.00mm
Medium wide.
Facilitates high register. Excellent mouthpiece for soprano or piccolo trumpet.
1-1/4C
Medium
17.00mm
Medium wide.
Large cup for powerful trumpeters. Compact tone of great carrying power.
1-1/2B
Medium deep
17.00mm
Medium wide, not too sharp.
Produces a scintillating, warm tone of large volume. For players with a well-trained embouchure. Comfortable rim contour.
1-1/2C*
Medium
17.00mm
Medium wide, not too sharp.
Large diameter, medium cup - good for all-around use.
2
Deep
16.50mm
Medium wide, lowered toward the outside.
Large cup; powerful Teutonic quality of tone. For players with a good embouchure.
2C
Medium
16.50mm
Medium wide, lowered toward the outside.
Large cup; powerful, brilliant tone. For players with a good embouchure.
2-1/2C
Medium
16.40mm
Medium wide, lowered toward the outside.
Large cup; brilliant, heroic, crisp C trumpet tone. For players with strong, muscular lips.
2-3/4C
Medium
16.50mm
Medium wide, lowered toward the outside.
Large cup; powerful, brilliant tone. For players with a good embouchure.
3
Deep
16.30mm
Medium wide.
Fairly large cup with full, rich tone.
3B
Medium Deep
16.30mm
Medium wide
A fairly large cup. The tone is warm and full.
3C*
Medium
16.30mm
Medium wide
Fairly large cup, good for all-around use.
3CW
Medium
16.30mm
Slightly wider, lowered to outside
Same as No. 3C with wider cushion style rim.
3D
Medium shallow
16.30mm
Medium wide
Fairly large, medium shallow cup produces a more brilliant tone. Facilitates high register.
3E
Shallow
16.30mm
Medium wide
Preferred by players who want a large mouthpiece but with a shallow cup. Facilitates high register.
3F
Extra Shallow
16.30mm
Medium wide
Same as above but with extra shallow cup. Produces sparkling ton in the extreme high register.
5A*
Very deep
16.25mm
Medium wide, rounded inside edge
A fairly large cup with a dark, full, mellow tone.
5B*
Medium Deep
16.25mm
Medium wide, lowered toward the outside. Medium sharp edge.
A precise rim and a fairly large cup. The tone is vivid and full.
5V
Very deep
16.25mm
A precise rim and a fairly large cup. The tone is vivid and full.
V style cup with larger #20 throat and #25 backbore. Free blowing, very flexible.
5MV
Medium deep
16.25mm
A precise rim and a fairly large cup. The tone is vivid and full.
Medium deep V style cup with #25 throat and #25 backbore. Good commercial sound.
5SV
Shallow
16.25mm
A precise rim and a fairly large cup. The tone is vivid and full.
Shallow V style cup with #25 throat and #25 backbore.
5C*
Medium
16.25mm
Medium wide, well rounded toward the inside and outside, fairly flat.
For players with a strong embouchure who do not like a sharp edge. The tone is lively and rich.
5V
Very deep
16.25mm
A precise rim and a fairly large cup. The tone is vivid and full.
V style cup with larger #20 throat and #25 backbore. Free blowing, very flexible.
5MV
Medium deep
16.25mm
A precise rim and a fairly large cup. The tone is vivid and full.
Medium deep V style cup with #25 throat and #25 backbore. Good commercial sound.
5SV
Shallow
16.25mm
A precise rim and a fairly large cup. The tone is vivid and full.
Shallow V style cup with #25 throat and #25 backbore.
5C*
Medium
16.25mm
Medium wide, well rounded toward the inside and outside, fairly flat.
For players with a strong embouchure who do not like a sharp edge. The tone is lively and rich.
6
Deep
16.20mm
Medium wide, not too sharp
Produces a rich, clear tone of substantial body. Its rim shape was preferred by Vincent Bach. (Cornet model comes with #24 backbore as standard.)
6B
Medium Deep
16.20mm
Medium wide, not too sharp
Produces a beautiful, ringing tone and responds easily. Medium-large size gives the lips sufficient room to execute freely.
6BM
Medium Deep
16.20mm
Medium wide, not too sharp
Same as No. 6B but larger #26 throat, #24 backbore. Large symphony sound.
6C*
Medium
16.20mm
Medium wide, not too sharp, rather flat
A distinctive C trumpet cup. Its clear tone cuts through the largest bands and orchestras.
7*
Deep
16.20mm
Medium wide, lowered toward the outside. Medium sharp inside edge
This popular model produces a colorful, liquid tone which is uniform over the entire scale. Desirable for all-around work.
7A*
Very Deep
16.20mm
Medium wide, lowered toward the outside. Medium sharp inside edge
Warm, melodious, rich tone approaches the quality of a lyric soprano voice. Free blowing.
7B
Medium Deep
16.20mm
Medium wide, lowered toward the outside. Medium sharp inside edge
Slightly livelier timbre than No. 7, full in the low and middle registers, responds easily on high tones. Warm, rich sound. Well suited for all-around use.
7BW
Medium Deep
16.20mm
Slightly wider, lowered toward the outside. Medium sharp inside edge
The same features as No. 7B with a cushion rim for players with slightly heavier lips.
7C*
Medium
16.20mm
Medium wide, lowered toward the outside. Medium sharp inside. Well-rounded edge with a perfect grip
Probably the most widely used model in the world. Its brilliant tone is preferred by school musicians and by artists.
7CW
Medium
16.20mm
Slightly wider, gradually lowered toward the outside
The same as No. 7C with a comfortable cushion rim contour. Very practical for strenuous work and players with large lips.
7D
Medium Shallow
16.20mm
Medium wide, lowered toward the outside. Similar to No. 7C
A shallower cup than No. 7C, designed principally for D trumpet, but used successfully where great brilliance and easy high register are required.
7DW
Medium Shallow
16.20mm
Slightly wider than No. 7D
This shallow Eb soprano trumpet (or cornet) cup is excellent for D trumpet and for playing continually in the high register. Cushion rim is helpful to players who use a little too much pressure.
7E
Shallow
16.20mm
Medium wide, Similar to No. 7C
This extra shallow Eb soprano trumpet (or cornet) cup produces a crisp, sparkling tone in the extreme high register. Widely used for piccolo trumpet.
7EW
Shallow
16.20mm
Slightly wider than No. 7E
The same as No. 7E with a cushion rim. For players accustomed to playing with much pressure, especially in the high register.
8
Deep
16.20mm
Fairly wide with slightly flatter surface than No. 7. Rounded inner edge
The same cup as No. 7 but with a rim that players with protruding teeth find more comfortable.
8B
Medium Deep
16.20mm
Fairly wide with slightly flatter surface than No. 7B. Rounded inner edge
The same cup as No. 7B with a rim that players with protruding teeth find more comfortable. Darker sound than No. 8.
8C
Medium
16.20mm
Fairly wide with slightly flatter surface than No. 7C. Rounded inner edge
The same cup as No. 7C with a rim that players with protruding teeth find more comfortable.
8/1/2002
Deep
16.10mm
Medium wide, lowered toward the outside. Medium sharp inside edge
Slightly smaller in diameter than No. 7; produces a full, round tone. Preferred by players with a sensitive embouchure and by those whose work is very strenuous.
8-1/2A
Very Deep
16.10mm
Medium wide with rounded inner edge
Produces a full, velvety tone. Suitable for cantilena playing.
8-1/2B
Medium Deep
16.10mm
Medium wide, lowered toward the outside. Medium sharp edge
Like No. 7B but with a cup diameter just enough smaller to facilitate production of the high notes.
8-1/2C
Medium Wide
16.10mm
Medium wide, lowered toward the outside. Medium sharp edge
Medium C cup provides flexibility and easy response. Well rounded. Clear, brilliant tone throughout the register.
8-3/4
Deep
16.10mm
Medium wide, not too sharp
Produces a tone of great volume and Teutonic character. Very effective in symphonic work and opera.
8-3/4C
Medium
16.10mm
Medium wide, slightly flat
Similar to No. 7C, but with a slightly smaller cup diameter. Response helps endurance for players who suffer from fatigue.
9
Deep
16.05mm
Medium wide, lowered toward the outside
The same style and rim as No. 7, but with smaller cup diameter.
9A
Very Deep
16.05mm
Medium wide, well rounded
Produces a mellow, sweet tone.
9B
Medium Deep
16.05mm
Medium wide, lowered toward the outside
Corresponds with No. 9. Slightly darker tone. Players with narrow lips who tire quickly feel relieved when using this model.
9C
Medium
16.05mm
Medium wide, lowered toward the outside
Similar in size to No. 9 but produces a more brilliant, open tone. Free high register, easy response. Suitable for strenuous all-around work by players with narrow lips.
9D
Medium Shallow
16.05mm
Medium wide, lowered toward the outside
Similar in size to No. 9 and in tone to the more brilliant No. 7D. Players with narrow, sensitive lips get satisfactory results with this model. Recommended for the extreme high register.
10
Deep
16.00mm
Fairly wide with rather broad, flat surface
Similar to No. 7, but smaller in size and with a broad, flat rim. Suitable for players with fleshy, soft lips.
10B
Medium Deep
16.00mm
Fairly wide with rather broad, flat surface
Same size as No. 10 but with warmer tone. Gives good results to players with heavy, thick lips- especially those who become easily fatigued.
10C*
Medium
16.00mm
Fairly wide with rather broad, flat surface
Same rim as No. 10, but with a medium C cup. Especially designed for high notes and sparkling brilliancy.
10-1/2A
Very Deep
15.90mm
Medium wide, well rounded
Produces the mellow, rich lyric cornet tone flavored by players of the Italian school.
10-1/2C*
Medium
15.90mm
Medium wide
Fine high register, resonating low register. Particularly useful to players without a strong embouchure. Ideal for C trumpet.
10-1/2CW
Medium
15.90mm
Extra wide, high toward the inner edge
Size, cup shape, and playing qualities are similar to the No. 10-1/2C. Cushion rim recommended for players who use heavy pressure.
10-1/2D
Medium
15.90mm
Medium wide, high toward the inner edge
Similar in size to No. 10-1/2C with a shallower cup for more brilliance and an easier high register.
10-1/2DW
Medium Shallow
15.90mm
Extra wide, high toward the inner edge
Same depth of cup and diameter as No. 10-1/2D, with an extra wide cushion rim for players with fleshy lips.
10-1/2E
Shallow
15.90mm
Medium wide, high toward the inner edge
The same scintillating tone as No. 7E. Preferred by players with weak lips who have to play in the high register.
10-1/2EW
Shallow
15.90mm
Extra wide, high toward the inner edge
Cup diameter and shape are the same as No. 10-1/2E, but the extra wide rim offers support to players who have soft, fleshy lips and play continually in the extreme high register. Sometimes used for piccolo trumpet.
10-3/4A
Very Deep
15.75mm
Medium wide, well rounded
Slightly smaller cup diameter than No. 10-1/2A. Has the mellow, sweet tone generally used by players of the Italian school.
10-3/4CW
Medium
15.75mm
Extra wide
Cushion rim for players with thick, fleshy lips who are accustomed to using much pressure. There is no easier-blowing mouthpiece with such voluminous and brilliant tone.
10-3/4EW
Shallow
15.75mm
Extra wide
Shallower than No. 10-3/4CW to produce a very penetrating, glittering tone. For extreme high register work. Cushion rim.
11A
Very Deep
15.70mm
Medium wide, well rounded
A medium-small mouthpiece with a round, full, old-fashioned cornet tone.
11B
Medium Deep
15.70mm
Medium wide, well rounded
A medium-small mouthpiece with a beautiful, warm, clear tone. Responds very easily, especially in the upper register, for players with delicate embouchures.
11C
Medium
15.70mm
Medium wide
A beautifully brilliant C trumpet tone that requires little effort to play in the high register, yet with a free low range.
11D
Medium Shallow
15.70mm
Medium wide, well rounded
Produces a brilliant tone, effective in the high register. Good for players not having a strong embouchure.
11DW
Medium Shallow
15.70mm
Extra wide
Players with thick, fleshy lips, especially those who cannot rely on the strength of their lip muscles, can use this cushion rim mouthpiece to advantage. Produces crisp, easy top tones.
11EW
Shallow
15.70mm
Medium wide, well rounded
Produces a brilliant tone, effective in the high register. Good for players not having a strong embouchure.
11-1/2A
Very Deep
15.65mm
Medium wide, well rounded
Similar to No. 11A but slightly smaller. Produces a rich, round tone.
11-1/2C
Medium
15.65mm
Medium wide
A brilliant, scintillating tone, very easy response and good all-around register.
11-3/4C
Medium
15.60mm
Medium wide, well rounded
Easy playing, with a compact, brilliant tone. Recommended for players with sensitive embouchures and narrow lips.
11-3/4CW
Medium
15.60mm
Fairly wide, rather flat, not too sharp
A cushion rim for players with soft, fleshy lips who rely on above average pressure. Responds easily in the high register.
12
Deep
15.20mm
Broad, rather flat
This popular model produces a full, mellow tone. A good choice for players of the English or Italian school who are accustomed to small mouthpieces and players with heavy, weak lips.
12B
Medium Deep
15.20mm
Broad, rather flat
The same rim as No. 12, with a slightly shallower cup to make the tone more lively. High register responds well.
12C
Medium
15.20mm
Broad, rather flat
Brilliant tone, easy high register for trumpeters who have to play forte in the upper range and for players with heavy, weak lips who have difficulty with high notes.
12CW
Medium
15.20mm
Broad, rather flat toward the inside
Cup diameter and depth are the same as No. 12C, extra wide cushion rim.
17
Deep
15.10mm
Medium wide
A small mouthpiece with a solid, compact tone. Players with thin lips find this model highly satisfactory.
17C
Medium
15.10mm
Medium wide
A lively, clear and brilliant tone, for players with thin lips whose embouchures tire easily.
18
Deep
15.10mm
Broad, rather flat
Has the same cup as No. 17, but a wider rim. Players of the old Italian or English school having heavy, soft lips and a rather sensitive embouchure choose this model.
18C
Medium
15.10mm
Broad, rather flat
Same cup design as No. 17C, with a wider and flatter rim to distribute pressure over a larger surface.
20C
Medium
15.00mm
Medium wide
A very small mouthpiece, recommended only to players who have extremely weak or delicate lips.
.

Item Information


Item ID: 34
Sale price: $ 60
location: Mineola, New York, United States
Last update: 7.09.2021
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