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BACH TROMBONE SMALL SHANK MOUTHPIECE 7C

$ 79

Condition:New
MPN:MBTB 7C
Brand:Bach
Finish:Silver Plated
For Instrument:Trombone
UPC:641064004384

Seller Description


Specializing in Woodwind, Brass, and Orchestral Strings for over 35 Years
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BACH TROMBONE SMALL SHANK MOUTHPIECE 7C
Description
Selecting a MouthpieceWhen selecting a mouthpiece, a brass instrumentalist should choose one with a solid, compact tone of large volume. A carefully selected Bach mouthpiece can help improve a player’s embouchure, attack, tonguing and endurance.Professional musicians and advanced students prefer the musical results of large mouthpieces, such as the Bach 1B, 1C, 11 ⁄ 4C, 11 ⁄ 2B, 11 ⁄ 2C, 21 ⁄ 2C, 3C, which provide a maximum volume of tone with the least amount of effort. By opening up the lips so that they do not touch, the larger mouthpiece produces a clearer, purer tone. The large cup diameter also allows a greater portion of the lip to vibrate, producing a larger volume of tone, and keeps a player from forcing high tones by encouraging the correct functioning of the lip muscles. However, a student may find a medium-sized mouthpiece suitable.Do not select a certain mouthpiece because another player uses it. Because no two players have the same lip or tooth formation, what is perfect for one may be entirely unsuitable for the other. Bach produces many different models so that each player can find the best mouthpiece for their individual embouchure.RimWide: Increases endurance Narrow: Improves flexibility, rangeRound: Improves comfortSharp: Increases brilliance, precision of attackCupLarge: Increases volume, controlSmall: Relieves fatigue, weaknessDeep: Darkens tone, especially in low registerShallow: Brightens tone, improves response, especially in high registerThroatLarge: Increases blowing freedom, volume, tone; sharpens high register (largest sizes also sharpen low register)Small: Increases resistance, endurance, brilliance; flattens high registerBackboreExcept in general terms, it isn’t possible to identify backbores by size because they also vary in shape. Various combinations of size and shape make the tone darker or more brilliant, raise or lower the pitch in one or more registers, increase or decrease volume. In each instance, the effect depends in part on the throat and cup used in combination with the backbore.The playing qualities mentioned on this page are discussed in greater detail in the following sections. Keep in mind that playing qualities of mouthpieces vary from person to person; therefore, descriptions of playing qualities are necessarily subjective. It is important to view all information in this manual as a general guide. For best results, use it as a starting point for testing a number of models, not as a substitution for testing.Model NumbersBach trumpet, cornet and fluegelhorn mouthpieces have been numbered in an orderly progression from the largest to the smallest diameters and from the deepest to the most shallow cup, each with a choice of rim designs.Rim shape is described for each individual model throughout the catalog.Model numbers progress numerically from model #1 with the largest cup diameter, to model #20C with the smallest cup diameter. Cup depths are notated with letters. “A” cups are the deepest; standard cups have no letter designation; progressively shallower cups are marked B through F.“A” Models have very deep cups, #24 backbores, and emit a large, dark sound.Models with no letter designation have deep cups, #10 backbores, and produce a rich, full, clear tone.“B” Models have medium deep cups, #7 backbores, and have a full, Teutonic tone with great volume.“C” Models have medium cups, #10 backbores, and are preferred by many players that alternate between B b, C and D trumpet.“D” Models have medium-shallow cups, #76 backbores, and produce a sparkling, brilliant tone, especially in the high register. Artists who continually play in the extreme high register use them to advantage.“E” Models have shallow cups, #117 backbores, and are designed for use on soprano and piccolo trumpets. Also preferred by extreme high register players.“F” Models have extra-shallow cups, #76 backbores, and are also preferred by extreme high register players.“V” Models have V style cups. “V” designates a very deep cup, #20 throat, and #25 backbore; “MV” designates a medium deep cup, #25 throat, and #25 backbore; “SV” designates a shallow cup, #25 throat, and #25 backbore.“W” Models have a wide, cushion rim for soft, thick lips.
BACH TROMBONE SMALL SHANK MOUTHPIECE
Model No.
Depth of Cup
Appx. Cup Dia.
Rim Shape
Description
3
Medium Deep
26.26mm
Medium wide, well rounded.
Extra-large cup for players with a robust embouchure.
4
Medium
26.00mm
Medium wide, well rounded.
Very large cup; principally used by players having healthy, strong embouchures.
4C
Medium shallow
25.75 mm
Medium wide, well rounded.
Large cup with a brilliant tone. Requires a powerful, natural embouchure.
5A*
Medium
25.50 mm
Medium wide, semi-flat.
For players with good, natural embouchures. Rather large cup. Produces a full, mellow, sonorous tone.
5G
Deep
25.50 mm
Slightly wider, gradually lowered to outside.
Same as No.350-5 except for .276" throat and #429 backbore
1CW
Deep
25.50 mm
Slightly wider, gradually lowered to outside.
Same as No.350-5 except for .276" throat and #429 backbore
5GB
deep
25.50 mm
Medium thin, very well rounded.
Same as No.350-5 except for thin rim (same as No.341-5G but with small shank).
5GS
Medium
25.50 mm
Medium wide, semi-flat.
Same as No. 5 but with larger "G" throat and #420 backbore.
6
Medium
25.50 mm
Medium wide, well rounded.
Fairly large cup. For players with a strong embouchure. Full, solid, mellow tone..
6-1/2A
Medium Deep
25.40 mm
Medium wide, well rounded.
Slightly larger than medium with standard-size throat and backbore. Rich, compact tone of large volume.
6-1/2AL
Medium Deep
25.40 mm
Medium wide, well rounded.
The same rim and cup as No. 6-1/2A, but with a larger "G" throat and #420 backbore for trombonists who strive for a Teutonic tone quality. Recommended for euphonium players who desire a round, mellow tone of great carrying power and substantial volume.
6-1/2AM
Medium Deep
25.40 mm
Medium wide, well rounded.
Symphonic model tenor trombone mouthpiece features the same cup and rim as No.612A, but with symphonic "F" throat and #413 backbore.
6-34C
Medium shallow
25.00 mm
Medium wide, well rounded.
Produces a full, clear, rather brilliant timbre. For trombonists with good, well-trained embouchures.
7*
Medium
24.75 mm
Medium wide, not too sharp.
The ideal mouthpiece for the artist desiring a beautiful, ringing tone with sufficient volume for melody playing.
7C
Medium shallow
24.75 mm
Medium wide, not too sharp
Large cup; bright, lively C trumpet tone. For players with a normal embouchure.
8
Medium
24.
Information about for sale on this page. See price and photos of the
75 mm
Slightly wide and flat.
Corresponds in cup design with No. 7, but with a wider rim. Players with heavier lips prefer this model.
8-1/2BW
Medium shallow
24.75 mm
Very wide, well rounded
For players with heavy lips who need support to prevent the rim from digging. Well liked by musicians who do strenuous work. Produces lively, brilliant tone with easy high register.
9A
Medium Deep
24.72 mm
Medium wide.
Possesses a beautiful, rich, rather mellow timbre.
11
Medium Deep
24.70 mm
Medium wide
Same style as No. 9 but slightly smaller. Produces a magnificent round tone of great carrying power. An excellent model for euphonium and baritone players.
11C
Medium shallow
24.70 mm
Medium wide
Same size as No. 11 but with a medium shallow cup for a brilliant ringing tone of large volume.
12
Medium
24.50 mm
Medium wide
An excellent all-around mouthpiece. Combines a fine, solid, dark tone, excellent flexibility, great volume and easy response.
12C
Medium
24.50 mm
Medium wide
Same size and rim as No.12 but with a more brilliant, crisp tone. The best selling model for all-around playing.
12E
Very shallow
24.50 mm
Medium wide
This model, designed principally for E-flat alto trombone, can be used on B-flat trombone or bass trumpet when a brilliant, brassy tone is desirable. Also recommended for use in the extreme high register.
14D
Very deep
24.50 mm
Medium wide
Well suited for playing in the high register. Very effective for coloratura work.
14-1/2D
Shallow
24.50 mm
Medium wide
Small, shallow cup and wider rim aid the high register while producing a clear, lively tone.
15
Medium deep
24.50 mm
Medium wide
A full-toned mouthpiece of mellow timbre.
15C
Medium shallow
24.50 mm
Medium wide
Medium shallow cup produces a clear, lively tone. Players with thin lips or weak embouchures will find it helpful.
15CW
Medium shallow
24.40 mm
Very wide, well rounded.
Designed for great brilliancy and resistance to facilitate the very high tones. The wide cushion rim distributes pressurean advantage to players with soft, fleshy lips.
15D
Shallow
24.40 mm
Medium wide
Has a rim similar to No. 15C but the shallower cup produces a clear, crisp tone, effective in the extreme high register.
15E
Very shallow
24.40 mm
Medium wide
Designed for E-flat alto trombone but used also by players who continually play in the extreme high register. Also used for bass trumpet where a martial tone quality is desired.
15EW
Very shallow
24.30 mm
Extra wide cushion, well rounded.
The choice of artists who play in the extreme high register for long hours. Produces a brilliant, piercing tone.
17
Medium
24.20 mm
Medium wide.
A rather small mouthpiece for all-around work by players with a small mouth or weak lips. Produces a mellow tone.
17C
Very shallow
24.20 mm
Medium wide.
Produces a clear, brilliant tone; requires little effort to play. Good for players with a small mouth and weak lips.
17D
Shallow
24.20 mm
Medium wide.
For trombone players who play continually in the high register and need a brilliant tone with much resistance.
18C
Medium
24.20 mm
Fairly wide, flat.
Same cup as No. 17 but with a wider, flatter rim.
18C
Medium Shallow
24.20 mm
Fairly wide, flat.
The same cup diameter as No. 18 but slightly shallower, producing a brighter, crisper tone.
18D
Shallow
24.20 mm
Fairly wide, well rounded.
Playing results are similar to No. 17D but with a wider, more rounded rim.
19
Medium Deep
24.00 mm
Medium wide, fairly flat.
Primarily designed for a rather mellow, velvety tone.
22
Medium
23.92 mm
Medium wide
This small mouthpiece is used by players of the English or Italian school, and for tenor horn and very small bore trombones.
22C
Medium Shallow
23.92 mm
Medium wide
The small and shallow cup is well suited for bass trumpet but is also used on the small bore valve trombones popular in some Latin countries.
22D
Shallow
23.92 mm
Medium wide, slightly rounded.
This model was originally designed for bass trumpet which requires a brilliant, penetrating tone of martial character.
.

Item Information


Item ID: 520
Sale price: $ 79
location: Mineola, New York, United States
Last update: 12.09.2021
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BACH TROMBONE SMALL SHANK MOUTHPIECE 7C
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MOUTHPIkECE MOUTHPIEzE MOUTHPIECi MObTHPIECE hOUTHPIECE MOUTHPIECd MOUhHPIECE MOUTHPIuCE MOUTHjPIECE sMOUTHPIECE MOUTfHPIECE MOUTHPIECb MOsTHPIECE MOUTHaPIECE MOUTHuIECE MiOUTHPIECE MOUTHPIEgCE MOUTHPwIECE MtUTHPIECE tMOUTHPIECE MOgUTHPIECE MoUTHPIECE MOUTHbPIECE MOUTHPIEyCE MpUTHPIECE MOUTHPIEiE MOcTHPIECE MOUTrHPIECE gMOUTHPIECE MfOUTHPIECE MOUTHcIECE MOpTHPIECE MhUTHPIECE MOUTHPIEfE MOUTHPIECq MOUTjHPIECE fMOUTHPIECE MOUTHsIECE kMOUTHPIECE MOUTHPIECgE MOUTTHPIECE MOUTHPIECmE yOUTHPIECE MOUTHPIECqE MOUTHPyIECE MOUTHPIECfE MOUTHkIECE MOUTHPIEbCE MOUTwPIECE MOUTHPIECh MOUTHyPIECE MOUiTHPIECE MOUTHPIEmE MOUTdHPIECE MsOUTHPIECE MOUTHPIEpCE mMOUTHPIECE MOUTHPhIECE MOUTHPIECzE MOUtHPIECE MOUTHPIEkE MOnTHPIECE MOUTHPIhCE MOUTHPIoECE MOUTHPInCE MOUTHPIECj MOUTHPuECE MjOUTHPIECE MOUTHPIECx MzUTHPIECE MOUTrPIECE pMOUTHPIECE MOUTtPIECE MOUdHPIECE MOUTHPIxCE oOUTHPIECE MOUTnHPIECE MOUTHiPIECE MObUTHPIECE MgOUTHPIECE MOUTHPIzCE MpOUTHPIECE MlOUTHPIECE MOUTHPIaCE MOUsTHPIECE MOUTHPIdECE tOUTHPIECE MOUTHPIEtE MOUTHPvIECE pOUTHPIECE MOUTHmPIECE MOUTHnIECE MOUTHPIfECE MOUTHPsECE MOUoTHPIECE MOUjTHPIECE MOUTHPIdCE MOmUTHPIECE MOUxTHPIECE MOOUTHPIECE MnUTHPIECE MOUTHPIsECE qOUTHPIECE MOUTHfIECE fOUTHPIECE MOUTHPIECyE MOUTHPIECaE MOUfTHPIECE MOUvTHPIECE cMOUTHPIECE MOUkHPIECE MvUTHPIECE MOUTHPIEwE MOUTHPIbECE MOUTpHPIECE MyUTHPIECE aMOUTHPIECE MOUTnPIECE MOUTHaIECE MOUTHPIECk MOUTzPIECE MOUTHrPIECE MOUTHPIIECE MOUwTHPIECE MOUTHPIECEE vMOUTHPIECE MOUfHPIECE bMOUTHPIECE MOUTHPIgCE MOUTHPIoCE MOaUTHPIECE MOUTHPIvECE MOUToPIECE lMOUTHPIECE MOUTHPIEuCE MOUTHPIgECE MOUTHPIEuE MOUTHPIECjE MOUTHPIEvE MOUTHqPIECE MOUTHPpECE MOUTHPcIECE MOUTHPInECE MOUmHPIECE MOUTHPIEqE MOUTuHPIECE MOUTHmIECE MjUTHPIECE vOUTHPIECE MOUTHPIEcCE MOUTHPIEsE MOUThPIECE MOUTHhPIECE MOUvHPIECE MOUTvHPIECE MOUTvPIECE MmUTHPIECE MOUkTHPIECE MOyTHPIECE MbUTHPIECE MOUnHPIECE MhOUTHPIECE MOUTfPIECE MOUTcHPIECE MOUTHPIEzCE MOUTuPIECE MOUlTHPIECE jMOUTHPIECE MOUTHPIaECE MOzTHPIECE MOUoHPIECE MOUuTHPIECE MOUTiPIECE MOpUTHPIECE MMOUTHPIECE MOUTHPtECE MOUTHPIECiE MOUTHpPIECE MOUTHPIEtCE MOfTHPIECE MOUTHPIEyE MOUTHPIbCE MOUTHPIECxE MOUTHwPIECE MOfUTHPIECE McOUTHPIECE MtOUTHPIECE rMOUTHPIECE MOUTHlPIECE MOrTHPIECE MOUaHPIECE MOUTHPIECvE MOUTHPIErCE MOUTHzIECE iMOUTHPIECE MOUTHPIEwCE MOUTHPIEaCE MOUTHPIECf MOnUTHPIECE MOUTHPIECg MOUTHjIECE MkUTHPIECE MOUTbHPIECE MOwUTHPIECE MOUTHPIECsE nOUTHPIECE MOoUTHPIECE MOUzHPIECE MOuUTHPIECE MOUTiHPIECE MOUTHPIEhE MOUuHPIECE MyOUTHPIECE MOUTHPIECbE MOUTaHPIECE MuOUTHPIECE MOtTHPIECE MOUTHPgIECE MOUtTHPIECE MOxTHPIECE MOUzTHPIECE MOUTmPIECE MOUTHPIECuE MOUTHPzECE MOUTHPIEfCE MfUTHPIECE MOUTHPjIECE MOUTwHPIECE MOUTHPIEiCE MOUTHPIElCE MOUTHPyECE MOUbHPIECE MnOUTHPIECE MrUTHPIECE MOUTHPIECCE MOUTHPIECr MOUTHPIyECE MOUTHPiECE MOgTHPIECE MOUTHPoIECE MOUTHPIECn MaUTHPIECE bOUTHPIECE MOUTHHPIECE MOUTqPIECE MOUTHPIECv MOUTHPmECE MOUTHPIEnE MOcUTHPIECE MOUTHPIhECE MOzUTHPIECE MOUTzHPIECE MOUTHPiIECE MOUTHPIkCE zOUTHPIECE MOUgTHPIECE MOsUTHPIECE MOUTHPwECE MOUTHPfIECE 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